360 SYSTEMS SLAVEDRIVER DRIVER

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The Polyfusion FFI frequency follower. The company branched out into effects and small MIDI sound modules in the mids, before exiting the music industry around Well, at minimum, independent pitch-to-CV and envelope-to-gate tracking and conversion for each of the six strings, and then some sort of synthesis engine x6 to create the actual sound that you hear. The company’s founder, Californian Bob Easton, was an acquaintance of Tom Oberheim and the two collaborated on some pitch converter designs circa Today as PS dot com: The mighty ARP Avatar.

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There was also a large six- voice polyphonic system, with a pitch converter, envelope follower, and SEM for each string.

This basically combined the Slavedriver and the guts of a SEM into a single box. Below, a period advert… …and click here to view the same-period ARP full-line catalog available for download at PS dot com. Equipped with a hex pickup, the Spectre contained a priority circuit that chose a string to track, fed it into the pitch converter and an envelope followerand used this to wlavedriver the bullt-in SEM.

Only a few examples of this were built. These products were not particularly successful.

Guitar Synths of the late 1970s

The company branched out into effects and small MIDI sound modules in the mids, before exiting the music industry around A great number of small manufacturers sprung up to offer these devices, and a few of the big names got involved as well.

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Slavedrivdr In Don’t have an account? The next product was the Spectre guitar synthesizer. Below, a period advert….

Well, at minimum, independent pitch-to-CV and envelope-to-gate tracking and conversion for each of the six strings, and then some sort of synthesis engine x6 to create the actual sound that you hear. The Slave Driver, also from Systems.

Retrieved from ” http: Guitar synths never really caught on, probably due to the cost initially, but even as prices came down it really seems like the vast majority of players were just slavedrriver with a bunch of effects pedals.

The mighty ARP Avatar. The company’s founder, Californian Bob Easton, was an acquaintance of Tom Oberheim and the two collaborated on some pitch converter designs circa In addition, there is something inherently retrograde with performing on the electric guitar regardless; it is very much a signifier of the s and s; so why muddy systrms waters of yr joyous celebration of the past with so much technology? The Polyfusion FFI frequency follower.

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What is required for a guitar synth? Learn how your comment data is processed. Click here for previous Slavedrivsr coverage at PS dot com. Today as PS dot com: Your email address will not be published.

This site uses Akismet to reduce spam. A manufacturer of synth equipment in the late s and early ’80s.

Guitar Synths of the late s | Preservation Sound

The state of the art in frequency and pitch tracking in was not really up to the task, as some other manufacturers, notably ARPfound out. But putting it all together in a package that a guitar player might want to buy: If anyone is still using any of these things on-stage or in productions, drop a line and let us know… The Slave Driver, also from Systems The Ampeg Patch If anyone is still slavedeiver any of these things on-stage or in productions, drop a line and let us know….

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